My experimental films examine the weight of history, the fragility of memory, and the lived realities shaped by political forces. Through layered narratives, I explore themes of housing precariousness, multigenerational survival, and the manipulation of historical narratives in Cuba. From intimate portrayals of families living in overcrowded conditions to poetic reinterpretations of the country’s revolutionary past, my work questions dominant perspectives and exposes the cracks in collective memory. Using both documentary and experimental techniques, these films invite reflection on resilience, control, and the ways history is written—and rewritten.