Bio

Irolan Maroselli is an independent artist from Havana, Cuba, currently living in Texas. He is known for his explorations of sociocultural themes through photography, experimental cinema, and sculpture. He holds a degree in History from the University of Havana, obtained in 2012, which provides a rich foundation for his art’s deep engagement with Cuban society.

Maroselli’s early work, primarily in analog photography, includes the series “La estafa” (2010-14), where he used his own body as a metaphor for the island, portraying various characters to reflect diverse experiences under a totalitarian regime. This project stands out for its anthropological approach, exploring the relationship between the lower classes and the political establishment over the last 60 years.

Expanding his practice in recent years, Maroselli has ventured into experimental cinema, using sequences of images to explore complex narratives and express his thoughts. His latest photographic series, “Doce escenas cotidianas,” employs traditional Polaroid 3.1-inch square format to combine staged photography with political and cultural commentary, challenging viewers to reconsider everyday life and societal issues.

In addition to his photographic and cinematic work, Maroselli has developed a strong interest in sculpture, particularly working with materials such as metal and concrete. His sculptural practice delves into the inherent meanings of these materials and the dialogue they create. This aspect of his work seeks to understand and convey the complex relationships between materiality, symbolism, and cultural narratives, emphasizing themes of resilience, decay, and transformation.

Maroselli’s recent artistic investigation centers on the intersections of history, memory, and identity, creating nuanced narratives that reflect both the socio-political landscape of contemporary Cuba and broader human concerns. His sculptures juxtapose the solidity of metal with the fragility of concrete, symbolizing the enduring yet vulnerable nature of cultural identity and human existence.

His work has been exhibited internationally, including in Cuba, Mexico, Italy, the United States, Japan, and Norway, highlighting the universal resonance of his themes.